• s
    Stephen Swaney(stivosaurus)

    If I were me, I would totally fire your ass for doing that.

  • Omar Domenech(dostovel)

    I'd totally do that, I hope you cant get fired or sued for that

  • Omar Domenech(dostovel)

    [Q] Have you ever left an easter egg in a shot you worked on?

  • Omar Domenech(dostovel)

    [Q] With so many shots to do with so many artist working on them, how do you maintain consistency throughout the movie?

  • Omar Domenech(dostovel)

    [Q] Are movie or TV productions getting sloppier during production because you can always fix it in post?

  • s
    Stephen Swaney(stivosaurus)

    Digital set extensions would make a good CG Cookie course

  • Omar Domenech(dostovel)

    I get nervous when people ask that of me in the movie theater

  • Shawn Blanch(blanchsb)

    I gotta hit the road I’ll brb and log back in when I get to my pc. Hold my seat Omar.

  • Omar Domenech(dostovel)

    [Q] How many shots would you estimate one VFX artist works with during a move? I would often thought it must be like five

  • a
    Morten Fjellheim(arev)

    Oh he he, didnt notice that:)

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Sean Kennedy is a VFX veteran with an impressively long IMDB page and is a longtime friend of CG Cookie. He's probably worked on your favorite TV show! Sean also runs the OpenVisualFX blog, which has a lot of helpful tutorials that cover how to create special effects with open source software like Blender and Natron. 

If you have any questions for Sean, drop them below before the interview! I'd recommend watching his Blender Conference talks if you're interested in what it's like to work in Hollywood. 

Also be sure to check out his series on creating a Matte Painted VFX shot, which covers a really wide range of compositing topics:

https://openvisualfx.com/2017/04/27/creating-a-matte-painted-shot-in-blender/

Visual Effects