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  • Kent Trammell Jonathan Lampel Wayne Dixon Paul Caggegi
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    • sharvaanime

      thanks for the stream :-)

    • t
      Vladislav Barsamov(tr1bar)

      Really looks like an action figure at that point with accessories

    • r
      MarkE Raymond(rockunclebratt)

      Question are you going post this video so I can watch it a few more times?

    • William Miller(williamatics)

      According to a personality test, I'm a debater.

    • Marjolein (valandrath)

      We should put that on a tile "Blender unites us despite the OS"

    • masonblenderrender

      I'm a PC man for sure, but if what you're using works, it works. But I'll say this, until I can unplug and plug in a GPU that I want into a MAC, I stick with PC.

    • Jack (jack07)

      We are all Blender Artists

    • z
      Zach Zellman(zachzellman)

      Just some friendly debates

    • bitblox (btiblox)

      yeah it took me about a year to use Linux comfortably

    • William Miller(williamatics)

      I have a Raspberry Pi, but Blender won't run on it.

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    This event is part of the March 2018 Class, "Creating Stylized Characters with Blender".

    This week centers around the strategy of being a character artist. It's not all fun and digital play-dough. Sculpting is one thing; character *modeling* is another thing.

    At this point a decision needs to be made about our character sculptures: A) Leave it as a sculpture or B) optimize it for ‘production’. Leaving it as a sculpture means it’s a static sculpture that can be painted, rendered, or 3D printed but not animated. Optimizing it for production means you turn your sculpture into a model that’s easiest to work with up to and including animation. If you opt for optimization, this week is mostly a technical and problem-solving task. We need to both retopologize our mesh and also neutralize it if the sculpt is posed.

    Classes Modeling