Hello and welcome to the review our second modeling exercise, Modeling Little Bot Bunny, based on the concept by David Revoy. This exercise was to model the character from the provided concept with clean topology and good form. This character presented some very interesting challenge that made it a great exercise in modeling skills. There were a huge number of excellent entries submitted, viewable in the gallery HERE.
In the above video I give a review of several selected entries, pointing out some weak and strong areas in each model, along with some consistent mistakes that many people made on the model. I then go on to show how to model on of the most difficult parts of the character. Following the tutorial portion, you can view a timelapse of the complete modeling session for the character below:
Music for the timelapse performed by Silence: http://www.jamendo.com/en/album/830

















woow! First! Greate Review!
This is a great idea/series. Keep it up.
Nice!
The timelapse start over again after 5 or 6 minutes tho.
Beside that, great work, as usual!
Great video
Learned some great tips! Btw, at 4:34 of the time-lapse you have some duplicate footage. At first I was wondering why you started over, then I noticed how it was exactly the same as the first 4 mins.
Excellent review and time lapse. Learned how to use some new modifiers today! Namely the lattice and shrink-wrap modifiers. I was modeling flat shapes snapped to the surface coupled with the solidify modifier. I wish I knew about lattice before, because there were some instances where I wished I could non-destructively go back and edit the base shapes and apply the same deformations to it.
Some parts of the time lapse went by a little too fast. I’m really curious what Jonathan used when editing the eye ring portion to adjust the number of verts in the circle after he started editing, and what he used to interactively make 3 copies of the mesh radially for the U shapes.
Hi just after you create say a circle press F6 to bring up a window that lets you adjust the number of verts its radius and if its filled or not.
Hope this is what you were curious about.
You can’t F6 something after entering edit mode (it will just F6 your choice to go to Edit mode), which is what Mroreo is curious about.
Comparing F6 menus, it looks to be the spin tool (ALT+R).
The fact that Jonathan’s F6 menu has ‘Spin’ written on it also helped.
I believe he uses it a second time to make the full eye.
I personally used the Array modifier and an empty.
Goes to show there’s more than one way to make a rabbit.
@RichardW
Yes once you accept or modify the mesh with your mouse then you will lose access to the settings panel brought up by pressing F6, but you certainly can bring it up in edit mode but only at the point of creating new mesh or you can activate: New Objects to Enter Edit Mode in the BUP.
To be fair I didn’t see the the video yet as I didn’t have time this morning and I just assumed “adjust the number of verts in the circle” referred to using this panel when adding a new circle, my bad.
@ Sl1200mkii
Ah, I may have misunderstood you then.
I assumed you meant adding the mesh in object mode. My mistake.
Lol no worries
In edit mode press Alt+R to bring up the spin tool.
You can edit the options in the Tools Panel or by pressing F6.
liked the review seen were I needed to improve (EVERYTHING)
Thank for posting before the holiday got time to really go over it.
Excellent!!
I really appreciate the time and effort dedicated in your tutorials.
The modelling exercises that you do are a great and fun way to learn.
I learn faster and comprehend everything.
I am really happy to be part of this community.
Thanks Jonathan and Congratulations.
Merry Christmas
Great Video.
i like you way of explanation.
Merry Christmas.
“Jonathan Williamson are you record the screen in high resolution? after that reduced the size to 1280 x 720. its very typical to see the text and numbers in properties/Toolbox window. some of your videos are like that.”
Jonathan, thanks for a great review and for reviewing my model.
About that screw-like part at the side of the head. I made it from a 6-vert circle, which is a perfect hexagon. I filled it with 3 diamonds, added some edge loops, and that’s it! All the topology we need is done. Then the geometry should be aligned with Loop Tools and proportional editing mode.
How did you model that crimped tubes for neck and fake arm joints? Is that something like array aligned with a NURBS curve? A really efficient way of modeling, I’ll try it.
Merry Christmas to everyone.
Wow…a really great tutorial!!!! Please more robot, sci-fi tutorials!!! Thank you! But can you please upload the timelapse with normal speed?
It’s really hard to follow.
Nice review. But the ring around the eye of the 2nd model was better before you modified it
. Actually it was technically more realistic like the author did it ^^.
Merry Christmas
“Oh crap, that would have been really easy if I still had the modifiers.”
Definitely been in that situation before.
Thank you for explaining how to do the belly panel well.
Now I know why it didn’t work for me when I tried to use the simple deform modifier.
It never occurred to me to use a lattice modifier at all.
Merry Xmas
The thing I enjoyed the most on this tutorial is that it focused on how fix mistakes. So many times I have began a modeling project only to realize I have a problem with no idea on how to best fix it. I would love to see you do a series of quick tutorials on fixing common mistakes, like how you fixed the 6 sided pole. Thanks for all your great tutorials Johnathan, and the rest of the Blender Cookie crew, and Happy Holidays. – Carl
What Music is playing in the timelapse? It’s great. kinda sounds like NIN. As always your tutorials give such great depth of information. I always learn a lot from them. the circle scaling thing was great.
a very Merry Christmas to you and yours.
Remo
Opps I see the menion of the music at the top.
Remo
A video on how to model/animate the laser sword would be nice. How can we, during an animation, change the size of the laser or his color/emission?
Ok I found the video you made about the rendering of a light saber
But my question remain about the ability to “retract” the blade during an animation.
One possible method, no idea if it would be considered correct, is to scale the sabre. Object mode scales towards to origin, so have that at the base of the sabre.
Frame 1: Key frame scale. In the Object Outliner: key frame visibility and renderability.
Scale the sabre to near 0 (0.01
Frame whatever: key frame scale. In Object Outliner: toggle visibility/renderability to OFF key frame visibility/renderability.
Go to start of animation and play. You should have a retracting sabre.
To add:
If your origin allows you to scale the sabre to be out of sight, then key framing visibility/renderability is not necessary.
You want to key frame these so that they can’t be be seen. Scaling to 0 won’t work.
Visibility (eye icon): whether or not it can be seen in the viewport.
Renderability (camera icon): whether or not it will be rendered.
(I apparently made up the word ‘renderability’
)
This video helped me out sooooo much!!
thank you
I Need some help, please! When I tried to make the Bot Bunny and render it, It worked until I applied the material. What do I do? Please help and thanks in advance.
I didn’t attempt the bunny for the exercise(still too much of a noob), but learned a ton just from watching.
One suggestion for the future though – include the keystrokes on screen when doing a time lapse. It would help a lot in being able to follow what’s going on.
Nice video and tips. I was wondering like on the eye where he had those parts in middle giving the little creases here and there can’t you just merge the extra verts in the middle where you dont need them to the loops where you do need them and then all those extra creases will dissapear and you still keep the main loops where you need them.
Plane 4X4 faces, delete center vertices, select loop around the hole, extrude, scale, bridge loop -circle.
this has FX made in blender::: http://www.youtube.com/watch?v=zbYR2DWCE8c&feature=related
That was a very nice timelapse, but I think you forgot Little Bot Bunny’s nice fluffy metal tail.
Very Nice Jonathan, looking forward to the next one as well!
Thanks again for all the work from the CG team!
Hi Jonathan. Great tutorial. What did you say was the name of these sharpening loops, around 5:17 in the video?
Hi, Jonathan!
What do you think about this http://s16.radikal.ru/i191/1112/7f/7b5306968288.png
kind of decision?
That looks pretty good Moolah! The one thing I would recommend is to put another loop right down the center so that you have a good loop in the middle that will help keep clean deformations. It’s best to avoid poles on curved surfaces, such as the one right above the center hole. They tend to cause odd stretching and artifacts when rendering.
Good work!
-Jonathan
Thanks!
Do you mean like this? http://i012.radikal.ru/1201/96/aa26f25b91a5.jpg
I can’t get it clearly.
My aim was to minimize the number of faces and avoid that two loops you made with “V” in your tutorial.
Hey great tutorial! You forgot the tail though XD
Peter Cottontail wouldn’t have gotten his name without it
Oh no! Too bad it’s so easy to miss parts while modeling live
-Jonathan
Great tutorial!! Like always! This helped me a lot! Thank you!
I’m glad you liked it Florian!
-Jonathan
I like this format. When I went to ITT Tech, the instructors would do this kind of thing after learning some techniques. It would force us to apply what we had learned up to that point.
Question: In the first vid you used the lattice deform modifier on a mirrored mesh and it sure looks like the lattice was acting on each side (the real and virtual portions) separately as if the modifiers had been applied, is that correct?
Hi Lyle,
The lattice modifier is indeed effecting both sides of the mesh because the lattice modifier is placed below the mirror modifier in the stack.
http://www.youtube.com/watch?v=kwhkU4-FI-U
Jonathan,
I know it’s considered one object but how many separate pieces make up the object? (body, head, neck, knee pieces, bolts, etc?
Jeremy
Isn’t it interesting how we find webcams cute?
Loved the tutorial, really want to get into modelling more characters like this (ie robots and ‘hard surface’ things) however I keep getting shader errors and the like.
Is there any possibility I could see a normal time version of the timelapse, would be really helpful as a guide.
Hi,
Can I ask a quick question?
While working on the “metal plate”
Steps:
1. duplicating the middle curve
2. duplicating it and then
3. making the circle with two half-circles
Question: Why does “Bridge” not work if I use “Merge” to connect the circle?
Hi there,
Can you provide a screenshot of what you’re trying to do? I am not able to quite follow…
-Jonathan
Hey John,
I cant seem to replicate what I did..
Here is a screenshot of the error “circle” i created before..
http://a2.sphotos.ak.fbcdn.net/hphotos-ak-ash4/387776_10150472666543325_665963324_8859744_1152670342_n.jpg
top right is the new circle with merge that works..
bottom right is the previous circle i encountered an error with.. however, i cant remember what i did to create that circle[i removed duplicates]
This is a great review. Thank you for doing this. It really helps me on my way learning and understanding blender
Glad to help, thanks for the feedback!
-Jonathan
I guess I know why, you’ve missed track named “Stop!” during your timelapse
Great mini tutorial, cool timelapse.
Much better than just leaving us in the dark about modeling the rest as other might do. Will try this soon.
Quick question, was there a specific reason to go back and re-do the leg? (4:30 in the Youtube video) It seems like an editing glitch since you don’t appear to do anything differently.
Simply Awesome! I was just asking myself today “how do I use the bridge tool?” Thanks a ton man. You are such a great mentor in the blender community. I hope life it treating you well, you have earned plenty of good Karma.
Thank you kindly Bryan, that’s very encouraging
It seems like the punched holes got quite deformed in the finished result JW. Is shrinkwrapping the way to go if you truly want punched holes in a bent surface?
Love the time lapse!!
I’ve learnt a lot about modelling through this tutorial, and this series is a great idea
Also, the music 4 the time lapse tutorial is awesome!